Published by: Hatje Cantz in 2011.
Format: 29.00 x 24.00 cm, hardcover
Pages: 192 pages., ca. 190 color illustrations
Edited: Aalto University - School of Art and Design
Texts: Andrea Holzherr, Timothy Persons
Artists: Elina Brotherus, Nanna Hänninen, Maarit Hohteri
Wilma Hurskainen, Tiina Itkonen, Ulla Jokisalo, Aino Kannisto,
Sanna Kannisto, Sandra Kantanen, Eeva Karhu, Marjaana Kella,
Milja Laurila, Anni Leppälä, Jaana Maijala, Susanna Majuri, Riitta Päiväläinen, Nelli Palomäki, Marjukka Vainio, Ea Vasko, Niina Vatanen, Saana Wang, Pernilla Zetterman
Designed by: Margarethe Hausstätter, Claudia Stein
The fourth volume of the books of the Helsinki School focuses on female artists, inquiring into the possibility of a special female point of view. Innovative concepts and techniques as well as a variety of forms distinguish the work of this generation of photographers – the spectrum ranges from Tiina Itkonen´s documentary style pictures of Greenland and Anni Leppälä´s theatrically staged interiors to the painterly nature studies by Sandra Kantanen.
Published by: Hatje Cantz in 2009
Format: 29,50 x 24,60 cm hardcover
Pages: 192 pages., ca. 192 color illustrations
Edited: University of Art and Design, Helsinki (TaiK),
Now: Aalto University School of Arts, Design and Architecture
Texts: Timothy Persons, Katrin Hiller von Gaertringen and Janne Gallen-Kallela-Sirén
Artists: Pasi Autio, Wilma Hurskainen, Hannu Karjalainen, Kalle Kataila, Milja Laurila, Anni Leppälä, Noomi Ljungdell, Susanna Majuri, Nelli Palomäki, Tuomo Rainio, Mikko Sinervo, Ea Vasko, Niina Vatanen, Saana Wang, Dagmar Weiss / Carsten Benger, Pernilla Zetterman
Design by: Margarethe Hausstätter, Claudia Stein
"Do we need a fresh wind? Then hold on, here it is. Even more, it is a literal storm of images that is blowing our way from Finland." This is what the German Press Agency wrote about the first two volumes of the Helsinki School series, which triggered a great deal of enthusiasm, even outside of the photography scene. The new third volume continues in this vein, introducing promising young photographers from that talent forge way up north, TaiK, the University of Art and Design in Helsinki. The school teaches a very special approach to photography: not just particular ways of thinking about it, but also the notion of the camera as a conceptual tool - and all of this allows each generation a chance to reinvent itself. In this new volume, Timothy Persons and Katrin Hiller von Gaertringen introduce seventeen young artists and their incredibly multifaceted, experimental works of great technical perfection.
Published: Kerber Verlag in 2012.
Format: 22,00 × 27,00 cm, hardcover, bound
Pages: 112 pages, 48 colored illustrations
Text: Ann-Christin Bertrand
Edited by: Wilma Hurskainen
Designed by: Kirsti Maula
Like poems, Wilma Hurskainen’s photographs perceptively link poetry with humour and open up spaces of associations to own experiences of the spectator. In her No Name series, Hurskainen, who has strong connections with the Helsinki School, explores the themes of childhood and memory. Childhood and adulthood are present, like layers, in the same photograph. By loosely attaching texts to the images, Hurskainen recreates memories (including those that are false and invented) and continues their visual representation. Her main objective is to find out and question how a text and a photograph mediate a story.
Published by: Hatje Cantz, 2014
Format: 29.50 x 24.50 cm, hardcover
Pages: ca. 256 pages, ca. 180 illustrations
Texts: Holger Broeker, Alistair Hicks,Erika Hoffman-Koenige,
Andréa Holzherr,Timothy Persons, Lyle Rexer, Pari Stave,
Christoph Tannert, Jyrki Parantainen
Graphic design by: Hannes Aechter
I find it amazing that after twenty years of existence, the Helsinki School cannot be defined by any one fixed point of view. Conceptually there is a red thread connecting one generation to another in the way they perceive and present their ideas but not necessarily in how they apply them.
Timothy Persons (introduction)
Following the first four volumes of the Helsinki School, this new publication looks back at the development of this group of photographers over the past twenty years and traces the emergence of the photographic tendency bearing this name.
In a collection of essays, international curators, art critics, and museum directors describe their encounters with the Helsinki School, from the first exhibitions in the late nineties to the youngest generation of photographers. A discussion between Timothy Persons and Alistair Hicks concludes these contributions. The texts are accompanied by installation shots from numerous international exhibitions, archival materials, books, posters, invitations, and most recent works by the different generations of artists.
Published by: Musta Taide 2008
Pages: 69 Pages
Text: Anna-Kaisa Rastenberger
Artist: Wilma Hurskainen
Published by: PPS Galerie, Hamburg, 2005
Text: Trixi Rossi, Anke Koppe
Artists: Ari Kakkinen, Ville Lenkkeri, Susanna Kekkonen, Jari Silomäki, Maria Lähteenmäki, Wilma Hurskainen, Noomi Ljungdell, Pernilla Zettermann, Tuomo Rainio, Pasi Autio, Joonas Ahlava, Milja Laurila und Ea Vasko.
Published by: Musta Taide, 2013
Editors: Kragelund, Camilla; Strand, Nina; Shakya, Hannamari
Format: 27 x 22 cm, softcover
Pages: ca. 262 pages
nordic now! features portfolios by over fifty established and upcoming Nordic artists, and zooms in on five tendencies governing of photography in the Nordic countries today.
The publication includes essays by leading critics and curators from Norway, Sweden, Finland, Denmark and Iceland, and interviews with representatives from Nordic institutions that support and promote photography. These are complemented by an interview with the legendary picture editor Kathy Ryan from the New York Times Magazine, who gives an outside view of Nordic contemporary photography.
nordic now! is based on a seminar that took place during the Copenhagen Photo Festival 2012. The publication is the result of a unique collaboration between the photo magazines Filter, Photo Raw and the art journal Objektiv, and is published by Musta Taide, which is part of Aalto University’s publishing house Aalto ARTS Books.
Published by: Kehrer Verlag in 2016
Format: ca. 19 x 24 cm, Hardcover
Pages: ca. 152 pages, ca. 92 color illustrations
Texts: Sanna Lipponen
Artists: Wilma Hurskainen
Design by: Kehrer Design
Wilma Hurskainen’s monograph The Woman Who Married a Horse examines the relationship between humans and horses. In art, the horse is a symbol that does not seem to wear out with time; it rather seems to defy definitions. In her images, Hurskainen borrows horse stories from girls’ books and folklore. The book tells about the ability of the photograph to create something dream-like. The seemingly innocent images also raise questions of the meaning of free will, cooperation, responsibility, and language. Communication between two species is possible but it is always limited. The animal seems to have served as a mirror in which humans see a reflection of themselves, a reflection they have no other access to. But the more instrumental the human being’s attitude towards the animal is, the more muddled his mirror becomes.
Wilma Hurskainen (b. 1979 in Vantaa, Finland) has previously published two monographs: Growth, 2008 and Heiress, 2012. Her works have been on display at several solo and group exhibitions in Europe and Asia.